A thousand hopes reside in “ My Father’s Shadow ,” the crushingly personal semi-autobiographical film by director Akinola ...

The Cannes Film Festival has a long-standing tradition of showcasing actors-turned-directors; one of the great thrills of ...

Along the way, “A Useful Ghost” finds room for salty-mouthed monks, multiple romances (straight and gay), and a late-breaking ...

Buoyed by a traditionally spectacular ensemble, “The Phoenician Scheme” feels unlikely to be anyone’s favorite Wes Anderson ...

The 2025 Cannes Film Festival is underway, and Chaz Ebert is on the ground to report on every development. In today’s video, Scott Dummler sits in to talk with contributor Isaac Feldberg to talk about ...

For all its energy and color, “The Wave” is hardly perfect; it has way too many endings, for a start, seemingly having lost ...

“The Mysterious Gaze of the Flamingo” runs out of new ideas before long, but Céspedes and his cast have earned enough ...

A confidently made procedural from the Competition program for this year’s Palme d’Or should engage with audiences outside of ...

Left-Handed Girl” is her first solo directorial feature, but Baker wrote it with her and edited it. So on one hand, comparing ...

Despite the elegant production design and admirable effects, "Murderbot" feels like a sci-fi comedy still searching for ...

Despite the occasional unevenness, it’s one of the most promising comedies to hit television in recent memory.

Some sketches are plays on arthouse cinema (or Segura’s notions of them, at least), like fake A24 trailers about an Italian ...