On three Cannes premieres, including films from Lynne Ramsay, Christian Petzold, and one of the best debuts in years.

Buoyed by a traditionally spectacular ensemble, “The Phoenician Scheme” feels unlikely to be anyone’s favorite Wes Anderson ...

Along the way, “A Useful Ghost” finds room for salty-mouthed monks, multiple romances (straight and gay), and a late-breaking ...

The 2025 Cannes Film Festival is underway, and Chaz Ebert is on the ground to report on every development. In today’s video, Scott Dummler sits in to talk with contributor Isaac Feldberg to talk about ...

A confidently made procedural from the Competition program for this year’s Palme d’Or should engage with audiences outside of ...

“The Mysterious Gaze of the Flamingo” runs out of new ideas before long, but Céspedes and his cast have earned enough ...

Left-Handed Girl” is her first solo directorial feature, but Baker wrote it with her and edited it. So on one hand, comparing ...

Despite the elegant production design and admirable effects, "Murderbot" feels like a sci-fi comedy still searching for ...

Despite the occasional unevenness, it’s one of the most promising comedies to hit television in recent memory.

For all its energy and color, “The Wave” is hardly perfect; it has way too many endings, for a start, seemingly having lost ...

While the autobiographical elements are incredibly light, there’s enough humility here to make the viewer surrender to the ...

The setting is more than a century ago, but the longing for love and the struggle for intimacy are universally human.