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‘Pillion’ Review: Harry Melling & Alexander Skarsgård Find Unexpected Feeling In The Role Play [Cannes]
Alexander Skarsgård is fantastic, but Harry Lighton's Pillion wouldn't slap without Harry Melling's transformative ...
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‘The Secret Agent’ Review: Wagner Moura Commands Stunning Brazilian Crime Drama Steeped In History & A Palpable Adoration for Cinema [Cannes]
An imposing masterpiece Kleber Mendonça Filho’s 'The Secret Agent' stands as the director’s most ambitiously monumental ...
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‘Bono: Stories Of Surrender’ Review: Andrew Dominik’s Fan-Friendly Concert Film Puts The U2 Singer In The Spotlight [Cannes]
Bono: Stories of Surrender,' is filmmaker Andrew Dominik’s black and white concert film about the man, his music, his one-man ...
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‘The Chronology Of Water’ Review: Kristen Stewart’s Long-Gestating Directorial Debut Is A Stylish Triumph [Cannes]
Actor Kristen Stewart’s directorial debut, 'The Chronology of Water,' starring Imogen Poots is an evocative and striking ...
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‘Mirrors No.3’ Review: Christian Petzold’s First Film In Cannes Is Exquisitely Realized But Strangely Predictable [Cannes]
German auteur Christian Petzold's 'Mirrors No. 3' comes across as his reinterpretation of the psychosexual melodramas of ...