News

Anohni Hegarty isn’t surprised Donald Trump has regained the White House. “It was predicted that this would be the outcome, pretty consistently,” the Mercury Prize-winning singer says with a ...
One of the most fiercely singular artists of the last two decades, the personal journey taken by Anohni has been largely private, with fragments of the transgender musician’s story revealed in ...
ANOHNI and The Johnsons have announced a new album, ‘My Back Was A Bridge For You To Cross’, along with the single ‘It Must Change’. As per a press release, ANOHNI shared that Marvin Gaye ...
ANOHNI and The Johnsons have joined forces for the first time in over 10 years to create new music. The first single is set for release later this month. The surprise announcement was made by lead ...
Anohni‘s voice sounds delicate, angry, and exhausted, as she grieves track by track — for the unfulfilled promises of civil rights, for friends lost to drugs and depression, for the immolation ...
INTERVIEW The musician talks about her first album back with The Johnsons, climate disaster, trans rights and the effect of centuries-old oppression of women Anohni and the Johnsons have released ...
ANOHNI has revealed the music video for "Scapegoat," a song taken from her latest album, My Back Was A Bridge For You To Cross. The video is a family affair, with her sister Sara Hegarty directed ...
I first heard ANOHNI after her second album, I Am a Bird Now (2005), was awarded the prestigious Mercury Prize – a first for an artist who sang openly of queer and trans desire. At the time, I was a ...
Here, as guest editor of Wallpaper* October 2023, ANOHNI presents works from that exhibition, held at Huis Willet-Holthuysen in Amsterdam, alongside a photo series, including works by herself and ...
ANOHNI and the Johnsons—the band comprising Jimmy Hogarth, Leo Abrahams, Samuel Dixon, Chris Vatalaro, Martin Slattery and Rob Moose—write about collapse and breakage. On opening track “It ...
This wasn’t just ANOHNI’s last performance in Australia with The Johnsons. It was an elegy for the Anthropocene.